Dates

Alexander von Schlippenbach “Globe Unity Orchestra” – 60 Years of Apocalyptic Navel-Gazing

Oper Leipzig

Prices

Advance sales: Category I 60.00 / 49.00 €, Category II 54 / 44 €, Category III 48 / 39 €, Category IV 42 / 34, Category V 36 / 29, Category VI 30 / 24
Ticket Prices: Category I 69.00 / 57.00 €, Category II 62 / 51 €, Category III 56 / 46 €, Category IV 49 / 40, Category V 43 / 35, Category VI 36 / 29

An anniversary within an anniversary: 60 years of apocalyptic introspection. The most significant free-jazz orchestra in European experimental music returns to our festival! Initially dismissed as nonsense and met with ridicule, the ensemble quickly attracted international attention and became a springboard for some of its future star musicians.

Sometimes it’s just a small step from scandal to sensation. Such was the case with the Globe Unity Orchestra, led by its founder Alexander von Schlippenbach, who in 1966 drew the ire of much of the West German press with his free-jazz piece “Globe Unity.”

The tabloid media, in particular, had it in for the group back then. Looking back, it’s easy to see why. The young musicians rebelled against the rigid status quo of a world that had long since become obsolete, using the most radical means at their disposal: art! Peter Brötzmann, the saxophonist from the original lineup, was seen as nothing less than the reincarnation of the devil.

The ensemble went through many phases over the years: After its early years, which were heavily influenced by free jazz, came the so-called “Wuppertal phase,” during which the Globe Unity Orchestra opened itself up to influences from the Fluxus movement. Later, free improvisation and what Bernd Alois Zimmermann once called the “utopia of liberated music” returned to the forefront. Their performance at the 6th Leipzig Jazz Festival in 1981 also took place during this period.

45 years later, the Globe Unity Orchestra returns to Leipzig for the festival’s 50th anniversary—with a new international lineup featuring leading figures from the European improvisation scene. At the same time, the ensemble is celebrating its 60th anniversary and, despite all the changes in its lineup, remains true to its artistic vision. For while others have long since retired or switched sides, the GUO continues to shake the very foundations of the status quo. In a world that increasingly threatens to tip toward authoritarianism, this seems more necessary than ever.

Next up: Charlie Hunter & Ella Feingold

  • Text: Luca Glenzer

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